Creative Arts Department -
Levelland
|
Syllabus |
|
|
Course Title: |
MUSC 2313, Commercial Music Theory II, (3:3:0), Prerequisite: MUSI 1313 |
|
Instructor: |
Ed Marsh |
|
Office: |
CB 110 Office Hours: As posted Office Telephone: (806) 894-9611, ext. 2274 - voice-mail configured. E-mail: emarsh@spc.cc.tx.us |
|
Office Hours: |
As posted |
I. General Course Information:
|
A. |
Description: A continuation of MUSC 1313 with an emphasis on composing and harmonizing melodies. [Instructor's note: This course begins with a review of methods and proceeds to more intensive examination of harmonic textures and ensemble considerations. The course investigates the techniques by which traditional three-part vocal harmony can gain increased relevance through the use of chord substitution. The study of improvisation and composition flows naturally from the fusion of harmonic and melodic concepts as the student explores the scales implied by standard chord symbols. The philosophical and practical roles of the members of an ensemble are discussed, and students are guided in the use of critical thinking skills to develop personal strategies for creating useful charts and sheet music.] |
|
B. |
Course Learning Outcomes: Through this course the student will become knowledgeable in:
|
|
C. |
Course Competencies: MUSC 2313 is a continuation of MUSC 1313. Students transferring to SPC from colleges whose music theory curriculum is oriented toward the classical music idiom may not have acquired the necessary skills to enter MUSC 2313 even though they have passed a transferable 1st semester theory course elsewhere. Computer-Assisted Learning - |
|
D. |
Academic Integrity: It is
the aim of the faculty of |
|
E. |
SCANS COMPETENCIES: C-1, C-3, C-5, C-6, C-7, C-8, C-18, C-19. FOUNDATION SKILLS: F-1, F-2, F-5, F-6, F-7, F-8, F-9, F-10, F-11, F-12, F-13, F-16 |
|
F. |
Verification of Workplace Competencies: Successful completion of this course will equip the student with many of the skills necessary to complete the capstone experience presented at the end of the second semester of study for certificate candidates and at the end of the fourth semester of study for degree candidates. |
II. Specific Course/Instructor Requirements:
III. Course Outline:
|
Outline by Topic: |
|
Major Key Analysis
Minor Key Analysis
Chord Substitution
Melodic Manipulation
Melodic Contour
Scale and Mode Studies
Arranging
|
|
A comprehensive outline explaining the topics to be covered day-by-day will be available on the computer at each work-station in the classroom. Students are welcome to make a copy of any and all class documents using the printers available there. NOTE: The instructor requests that students make as few hard-copies as possible in the interest of conserving paper. Remember: you can take notes in class using the word processor and save these files to disk. You can also copy class documents from the work-station computer to your disk. You can read, edit, and print these files at several locations on campus. |
IV. Accommodations
|
|
V. Disabilities
|
Students with disabilities, including but not limited to physical, psychiatric or learning disabilities, who wish to request accommodations in this class should notify the Special Services Office early in the semester so that the appropriate arrangements may be made. In accordance with federal law, a student requesting accommodations must provide acceptable documentation of his/her disability to the Special Services Coordinator. For more information, call or visit the Special Services Office in the Student Services Building, 894-9611 ext. 2529, 2530. |