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Television Sweeps the Nation
The Story Behind the
Pioneering Post-"Freeze" Stations
By Douglas Gomery
WE ASSUME TELEVISION SWEPT
over the
United States like a tsunami
wave, but in reality the FCC was stymied in 1948 and so stopped giving out
construction permits for new licenses in October of that year. Most expected
this "Freeze" to last a few months, a year at the most. The FCC's
re-allocation map of stations did not come until April 1952, with
July 1,1952 as the
official beginning of licensing new stations.
The FCC's "Sixth Report &
Order" ended the Freeze, and many anticipated that it would unleash TV
across the
USA "overnight." But it would
take five years for the
U.S. to grow from 108 stations
to more than 550. Looking back, new stations came on line slowly, only five
by the end of November, 1952. Historians have told us much of the legalese
of the Sixth Report & Order, but only with a close look the first five "new"
stations can we fully understand how out TV nation came on line. Indeed,
these first five would set the precedents that mattered, and give the major
stations which define our "TV nation."
Denver had been the largest
U.S. city without a TV station
by 1952. Senator Edwin Johnson (D-Colorado), chair of the Senate's
Interstate and Foreign Commerce Committee, had made getting
Denver the first post-Freeze station his
personal mission. He had pressured the FCC, and proved ultimately successful
as the first new station came on-line a remarkable ten days after the
Commission formally announced the first post-Freeze construction permits.
KEEL-TV's first regular
telecast- on July 21,1952 - surely should be noted as the re-launching of
our TV nation.
Fittingly, KEEL-TV's first
image was congratulatory speech by Senator Johnson - who took time from his
duties at the Democratic Party Convention in
Chicago to speak live via coaxial cable to
his constituents in and around
Denver. Milton Berle and Arthur Godfrey
would come later that week.
David Sarnoff wanted to
stay on the good side of this powerful committee chair, and sent 25 of RCA's
engineers to install KEEL-TV's transmission tower. Owner (and local
businessman) Eugene O'Fallon worked his own staff three shifts around the
clock to construct a station that could blanket the Front Range with its TV
signal. Every day before its formal July 2 debut, accounts and photographs
of construction dominated the local newspapers. That August, 1952, RCA
estimated some 4,000 Denver-area set owners tuned to watch General Douglas
MacArthur address the Republican Party's national convention. The Freeze was
officially over.
Portland,
Oregon was the second-largest city with
no TV station. There was no Senator to negotiate a deal, and applications
piled up for
Portland's then three VHF allocations. So
David Sarnoff himself took a calculated risk, and moved his engineers to
construct a UHF station. Fittingly channel 27 was fully operational on
27 September 1952 - the
world's first UHF television station!
KPTV's tower was then the
first UHF transmitter RCA had built, costing $3 million, and before shipment
to
Denver was used for experiments for three
years from
Bridgeport,
Connecticut. RCA staff dismantled the
transmitter, and shipped it across the
USA by rail and truck.
California businessman Herbert Mayer had
put WXEL-TV on in
Cleveland in 1949, and was already turning
down $5 million for that investment. He figured that being first in
Portland would prove an equally lucrative
investment and invested a half million dollars in KPTV, even with RCA
virtually giving him a tower and transmitter.
In 1952 UHF seemed the
promised land. All of
Portland, from outspoken, boastful mayor
Fred Peterson to thousands of ordinary folks who stood for hours in line in
front of appliance stores, embraced Channel 27. Television Digest headlined
its
September 20, 1952 issue
with an event which threw the "entire industry - telecasters, manufacturers,
distributors, even the federal regulators-into a dither of excitement."
KPTV played the best NBC
had to offer: Dragnet, The Colgate Comedy Hour, and You Bet Yom-Life.
Sarnoff himself formally "christened" the station when on
October 1, 1952, just
before NBC's telecast of the World Series commenced, owner Herbert Mayer's
14-year-old daughter Sandra went on the air to present the General himself
with a scroll of appreciation. Sarnoff then compared this UHF experiment to
the Lewis and
Clark expedition, which had connected
Portland to the rest of the nation more
than a century earlier. FCC Chairman Paul Walker called KPTV a "harbinger of
the more abundant television service to all Americans."
All proved to be wrong. RCA
`s engineers in technical journals admitted the UHF signal was no match for
a VHF even in Portland, where the bulk of the population lived directly in
line of sight of KTPV's transmission, engineers had measured "dead spots,"
and calculated that one in twenty Portland households could not get KTPV's
signals in watchable form.
In time the FCC allocated
three VHF construction permits for
Portland, and the networks lined up to
affiliate with them. So it came as no surprise that on
15 December 1956, NBC
switched affiliation to
Portland's third VHF station, and channel
27 was never heard from again. This initial case proved the harbinger: UHF
would never be a money maker - even with NBC behind it - until cable
television leveled the playing field. On cable there are no dead spots, and
a channel 27 is the equal, signal wise, of a channel 4, 5 or 6.
Denver's channel 9 came next - first
lighting Denver TV sets on
12 October 1952. Here
again Senator Edwin Johnson brokered a deal so that all but one applicant
dropped out. But these negotiations for a VHF station took time, and the
Freeze had been over for three-and-a-half months before KBTV went on the
air. Johnson's constituents appreciated his efforts, but without the
notoriety of being a "first," and lacking NBC's publicity machine behind it
(as in the case of Portland), Denver's channel 9 generated little publicity.
But the local owners of
channel 9 did make an historical decision. They chose to affiliate primarily
with CBS, and secondarily with ABC. They recognized that, CBS, not NBC, had
the hottest shows. In October 1952 William Paley was happy just to gain a
presence in one of
America's largest cities.
The Commission kept at its
task, and
Denver's channel 7 debuted a year later.
Paley pounced, and signed channel 7 to an exclusive CBS deal. Channel 9 had
no choice but to fall back on its affiliation with ABC.
One month later, in
December 1953, KOA-TV,
Denver's channel 4, came online, and since
KOA-AM had long been the NBC radio outlet in the mile-high city, NBC
switched from channel 2 to the new channel 4.
This left
Denver's "first" -KEEL-TV with
DuMont, a network the on the verge of bankruptcy.
Thus for both
Denver, and
Portland, being first proved no advantage.
The two mighty networks of the day - CBS and NBC - held all the cards, and
waited until they could affiliate with a friendly VHF to leverage their
mutual profits. Being first only mattered if CBS or NBC stuck with you.
Lubbock,
Texas, the fourth of the first five,
pioneered small-city TV in November 1952.
Lubbock, not even ranked as a top100
market, needed a
Texas wildcatter, Wesley DeWilde Rogers,
Jr. - "Dub" to his many friends - to take a bold chance. The 33-year-old had
helped launch
San Antonio's pre-freeze station, but was
out of a job when that station was sold in 1952. "Dub" surveyed
Texas, moved to
Lubbock, and sought to open his own TV
station.
"Industry experts" howled:
no small town could support a station. "Dub" knew better. VHF signals
sometimes would travel for maybe 100 miles across the
Texas flatlands in any direction. He
reasoned his fellow Texans would embrace TV. He proved right on both counts.
On some nights channel 13 reached as far as
Amarillo, some 120 miles distant. And
ratings for the appropriately named KDUB-TV were high right from the
beginning because Dub affiliated with CBS and Texans loved Lucy, Arthur
Godfrey, and Jack Benny.
On
13 November 1952, "Dub"
formally flipped the switch, and KDUB-TV was on the air. He had wanted to
pull that switch months earlier, but had to wait because the Commission
worked down a list from the biggest cities without TV to smaller ones like
Lubbock.
To speed up the process,
"Dub" called his friend Senator Lyndon Baines Johnson. LBJ placed a few
calls, and not only did "Dub" get his license months before the formal
schedule called for, but he also acquired an affiliation with CBS.
Here was an historical
turning point, because all prior affiliations - when given a choice - had
preferred NBC. But in late 1952 "Dub" and LBJ figured William Paley and
company were producing programming with more mass appeal that NBC. They were
right, and both would become rich men based on this hunch.
Austin,
Texas - with LBJ's own station - was the
last of the "first five." When in April 1952 the Commission had announced
the "Thaw," applications poured in, and as of the
1 July 1952 (the formal
end of the Freeze), FCC offices were filled with applications. LBJ made sure
he would go to the front of the line.
FCC Commissioners and their
staffs worked feverishly over the Fourth of July weekend in 1952, and on in
its first post Freeze formal meeting on Friday the 1lth of July 1952
announced the first 10 new stations. Newspapers the following day headlined
that the TV was beginning again.
What the press missed was a
second meeting that July day when in a
10 p.m. to
midnight "special session," the
Commission announced four more construction permits. Fittingly one was for
the lone VHF station allocated to the capital of
Texas, and the winner was Mrs. Lyndon
Baines Johnson!
KTBS-TV channel 7 went on
the air on
28 November 1952. We
now know that LBJ had had worked behind the scenes throughout the Freeze to
make sure that the Sixth Report & Order allocated but a single VHF outlet to
Austin, and that his family would get it - uncontested.
LBJ had considered seeking
a TV license as early as 1948, but missed filing before the Freeze.
He was not going to let any
political hurdle get in his way again, and called in all manner of political
chits, particularly from his close friend, then Speaker of the House, Sam
Rayburn.
LBJ - like his buddy "Dub"
Rogers - signed with CBS. He already had a
on-going relationship with William Paley as his KTBS-AM had been affiliated
with CBS for eight years. LBJ reasoned Paley's signing of top radio stars
would give it an edge over NBC. He was right, and throughout the 1950s
citizens of
Austin embraced CBS's growing list of top
shows, from Lucy to Gunsmoke.
LBJ had pulled off the deal
that would turn him into a multi-millionaire.
Focusing on these "first
five" - from
Denver,
Portland,
Lubbock, and
Austin - we find the trends and precedents
which defined how the
United States became a "TV
nation."
Technically UHF would never
work. NBC proved that in
Portland. Political power did. The two
Senators Johnson-Edwin and Lyndon-proved that political connections would
dictate who got the remainder of the 300 licenses still to be given out, and
those who worked the system best made millions.
These first five case
studies also demonstrated that CBS was passing NBC as the dominant TV
network - not by being first - but by being preferred by both city dwellers
(as in Denver and Portland) and small town folks (as in Lubbock) alike. It
was programming that mattered (Paley's strategy), not superior technology (Sarnoff's
strategy). Lucy and company convinced Americans to willingly spend more time
watching TV than doing anything else except sleeping and working; our nation
has never been the same since.
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