NIN creates fantasy world with new album
by Caroline Basile, sports editor
A mythological world in the year 2022
is what “Year Zero” is to Trent Reznor, the one-man music
machine behind industrial favorite Nine Inch Nails.
The impending apocalypse is one of the
constant themes that Reznor displays on “Zero,” which was
released on April 17.
With synthetic sounds similar to NIN’s
previous releases, Reznor uses the album as his outlet to
express the nihilistic, church-led fantasy world of 2022
that he created, where religious atrocities are abundant and
people are being controlled by drugs that are poisoning the
water supply.
Throughout the display of this
fictitious society facing the end of the world, Reznor is
content with it, being shown in song titles such as “The
Greater Good,” “The Great Destroyer,” and “”Meet your
Master.”
The album is chock full of political
metaphors, such as “My God…. signs his name with a Capital
G,” on the song “Capital G,” along with the many tones of
the religious takeover mentioned throughout the concept
album.
Leaking tracks by leaving them on USB
ports in public restrooms, the NIN street team made
promoting this album a maze, because no one knew what would
be next. Several mythical websites popped up as well.
Perhaps Reznor’s most ambitious effort
in NIN’s 19-year existence, the 16-track concept album
brought forward the start of hidden websites and a game that
some of the most devout NIN fans may have trouble keeping up
with.
Before “Zero’s” release, clues from
tour t-shirts led fans and others to these alternate-reality
websites that described an "Orwellian picture of the United
States, circa the year 2022."
While it’s not the most matchless
dystopian tale, it seems like a mix of similar ideas
portrayed in other no-future tales such as George Orwell’s
“1984,” Pink Floyd’s “The Wall” and “The Matrix.” But,
nonetheless, it’s all Reznor. The NIN mastermind has
released an album with the same sonic industrial sound that
they are known for. Songs such as “Me, I’m Not,” and “The
Greater Good” are full of their standard synthetic beats,
alluring piano interludes and funky trip-hop
synchronizations. These elements in the song smoothly
collide with the image of an invented future not far from
our current time that is afflicted by multiple calamities.
“The United States Bureau of Morality”
is Reznor’s invented watchdog of this era of government
control, with a stamp on the back of the album’s CD
packaging that tells the listener to “Be a patriot - be an
informer!” There is also a number for the bureau that you
can call, and it will give you an automated message from the
bureau.
Songs look at this era of nihilism
through the eyes of different characters. The first single
off the album, "Survivalism," discloses the inner thoughts
of a leader in the resistance movement of the time. "Vessel”
displays the same, but for a religious extremist, and "The
Good Soldier” depicts the reluctance of a soldier to fight
battles in this resistance toward the religion-controlled
government.
Mixing a variety of sounds really
brings NIN’s effort together and unified. I give this 4 ½
out of 5 stars.