Regents ponder restoration of paintings
Jacob Tucker, feature editor
The restoration of the
college’s art collection was among the main topics of discussion at the
September meeting of the South Plains College Board of Regents.
For
almost 40 years, the college has had nine unique paintings scatted across
its campus.
“These
paintings were given to the college from the personal collection of Majorie
Merriweather Post,” said Stephen John, vice president for Institutional
Advancement.
Post
had a vast collection of paintings that are now on display at the
Smithsonian Institute, the Hillwood Estate in Virginia and at SPC. The
dates of the nine paintings that are on display at SPC range from a 17th
century pastel drawing to a 20th century oil canvas piece.
Post
donated these pieces to the college from 1966 through 1968. She wanted the
convenience of a classical art gallery at the college. Post desired to give
the South Plains region access to classical art. Other than for student and
faculty use, the gallery is completely open to the community.
The
college started out with 14 pieces from her collection, including a piece
from the artwork of Peter Paul Reubens. Five of the original pieces were on
loan from the Smithsonian Museum of Art, and were collected shortly after
Post’s death.The Board began to watch the condition of the paintings during
a period of 18 months. They noticed the deterioration of the quality of
color in the paintings, the condition of the collection and its need the
attention also were brought to light in the February 23,2004 issue of The
Plainsman Press.
“Many
people have raised concerns to us about the damage of the paintings due to
the elements of West Texas,” says John.
The
Board has been presented the option to have these paintings restored to
their original quality. Helen Parkin, who is an accomplished art
preservationist, has been recommended to the college.
She
has had more than 30 years of experience in the field of art restoration.
Her list of employment includes work at the Kimball Museum of Art in Fort
Worth, the Princeton Art Gallery at Princeton University and several other
art museums around the nation.
“With
her experience, I have the up-most confidence that she will do a great job,”
said John.
She is
slated to be on campus September 19 and 20. Parkin’s job will be to
evaluate the condition of the paintings and give information on what the
college should do toward the efforts of preserving these works of art. With
that information in hand the college will be able to get the works a
monetary appraisal.
The
last appraisal of the paintings was done in 1973, when the value of the
entire collection
estimated to be of $43,000.
“This
would be a very good investment to possibly one of the college’s greatest
assets,” said John.
The
paintings may also be brought back together at a later date, according to
John.
The
Fine Arts building is the next building on campus that is due for some
serious renovating. There has been talk of including a climate-controlled
gallery for the paintings.
“We
need a place to store these paintings, where they are in a controlled
environment,” said John.
The
location for a gallery has not been determined. John said an annex cannot
be added onto the existing building because it would begin to encroach on
surrounding buildings.
“A
1,500-square-foot facility is needed to house these paintings,” said John.
“The spaces that are available are too important to block.”
In
other action, the Board discussed the slight decline in fall enrollment, new
department lows and the approval of the college’s new Institutional Plan for
2005-2008. The plan outlines the goals and vision for the college in the
years to come.