ENTERTAINMENT

 

Blitzen Trapper's 'Furr' sure to ensnare new listeners

by Thomas Mooney, staff writer

“Furr” is the fourth studio album by semi-bearded mountain men from Oregon known as Blitzen Trapper.

It might seem that there is some kind of time machine located in the great northwest that is bringing back obscure Neil Young cover bands. But I assure you that these bands are from the 21st century. Although it’s 2008, Blitzen Trapper still plays like they are part of the folk movement of the early 1960s.

On “Furr,” Trapper’s influences are painted all over the album, and with none more apparent than Bob Dylan and The Grateful Dead. Many of the tracks on “Furr” are equipped with great harmonica play that could easily be inserted in Dylan’s 1963 album “The Freewheelin’ Bob Dylan.”

Eric Earley, lead vocalist and primary lyricist, sounds like a mix of Graham Nash and Dylan.  Earley’s vocals aren’t going to be mistaken for those of James Taylor, but they mesh well with the band and give them that gritty sound that they are aiming for.

Earley’s lyrics also reflect that of Dylan and The Dead.  They are somewhat scatter-brained here and there, making you wonder what Earley is trying express, or if he is even trying to make a point about something in the first place. One thing is for certain, Earley’s lyrics are very catchy, memorable, and show that he has a great sense of humor.   

“Gold for Bread” is the first great standout. “Gold for Bread” is set with guitar riffs that resemble Mountain’s “Mississippi Queen” and somewhat foretelling lyrics. By the time you hear Earley sing the chorus line, “gotta load up the car; get my right beat back, do some air guitar,” you are already doing the latter, playing air guitar. On “Gold for Bread,” some of Earley’s sense of humor shines through. Earley sings about everything from masked monkeys with midgets to dice-throwing preachers.

“Furr” is the third track and Trapper’s first single off the album. “Furr” is a great acoustic storyteller, with Earley narrating a tale about living with a pack of wolves. Earley’s detailed lyrics are showcased on the tune’s notable melody. The vocals, acoustic guitar, and harmonica are intertwined beautifully on this song about growing up and settling down, changing from a wild adolescent to a family man.

“Black River Killer” is yet another great tale about a murderer. The lyrics for “Black River Killer” are sharp as tacks and make this story tightly woven. The most memorable thing about the song is a great synth line that could easily be mistaken for something off of a Dr. Dre-produced album. On paper, that might not sound exactly like a great fit. But after hearing, it’s easy to see how they go well together.

What makes it so unforgettable and brilliant is that it isn’t overused in the song and doesn’t show up anywhere else on the album. On most things like this, less is usually more, and makes the song a force.

Two of the last songs mirror each other, with the primary instrument being an aged piano.

 “Not Your Lover” is a simple song about falling out of love. The song is a great change of pace for the album and is serves as an interlude for the album. Earley croons about being a “moon-walking cowboy” who has fallen out of love with his other half and doesn’t have to put up the act when he falls asleep.

“Echo/Always On/Easy Con” is a medley of two short songs that start off sounding nicely like Neil Young’s “A Man Needs a Maid,” but gradually change from simple piano to disco keyboards that could be heard in a Beck song. Blitzen Trapper walks a very fine line here but does not falter, showing how diverse their influences can be from time to time.

On “Furr,” Blitzen Trapper makes their case for being considered as the new Grateful Dead, without using them as their sole influence. Not once on the album do they sound like copycat artists who are just using proven sounds to make music. Right when you start to put Trapper in one category or genre, they do something that reminds you of something entirely different.

“Furr” is a great album that clocks in around the 40-minute mark. Trapper does a great job of not making songs too long and repetitive, like many indie-based bands do.

I give Blitzen Trapper’s “Furr” a rating of four out of five stars. I have to say it’s one of the more balanced and solid albums of the year.

“Furr” should bring a new crowd of listeners and please those who have already been trapped by the sound of Blitzen Trapper.

 

 
 
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