Blood Brothers turn up heat for Lubbock
show
Jessica Safavimehr, staff writer
Around
six p.m., just as the sun is about to go down, the line starts to form
outside of Space 1110.
Being
first in line, I await the arrival of the Blood Brothers. The Blood Brothers
along with the Mean Reds and The Chinese Stars, performed at Space 1110 on
February 19 in Lubbock.
Excitement filled the air as the doors slowly opened and people were allowed
in the tiny venue. Row by row, people filled space and began to anticipate
the opening bands. After about 30 minutes of filing in, the Mean Reds took
their places on stage. The Mean Reds are a five- piece band out of Tucson,
Arizona and they blew the audience away with their charismatic performance.
Shortly thereafter, The Chinese Stars calmed the audience with their
creative beats. Playing to a highly energized audience, the Chinese Stars
played a short set and were on their way.
Once
the Chinese Stars had left the stage and moved all of their equipment, the
audience became more anxious. They could hardly chill their nerves for they
knew the Blood Brothers would soon grace them with their presence.
The
Blood Brothers are a five-piece band hailing from Seattle, Washington.
Members include Jordan Billie and Johnny Whitney on vocals, Morgan Henderson
on keyboard and bass, Cody Votolato on guitar and Mark Gajadhar on drums.
Slowly, but surely, the Blood Brothers went on stage and calmly introduced
themselves. Starting off with “Trash Flavored Trash” a song from their
newest album “Crimes,” the crowd could hardly contain their excitement.
Once
the lyrics started being belted out, the audience moved in a crazy wave-like
motion, fists in the air and chanting along with Blilie and Whitney. Blilie
and Whitney have a unique sound that mixes high-pitched screams with
deep-toned howls.
The
energy was incredible, as there was not a still body in the place. The Blood
Brothers continued to play amazing songs, one after the other. Their set
list for the night included songs old and new. The Blood Brothers played
songs from “This Adultery is Ripe,” “Burn Piano Island, Burn,” ”Crimes,” and
“March on Electric Children.”
The
night continued to become more dream-like, as the Blood Brothers played ” My
First Kiss at the Public Execution,” “Teen Heat,” “Guitarmy,” “Jennifer,”
and “Rats and Rats and Rats for Candy.” During the performance the Blood
Brothers played 14 amazing songs.
The
Blood Brothers saved the best songs for last including “Cecilia and the
Silhouette Saloon” and “Love Rhymes with Hideous Car Wreck.” Once the Blood
Brothers started playing “Cecilia,” the crowd went wild.
Clapping along with Whitney and dancing to the beats of Morgan Henderson’s
keyboarding, I could not help but dance along. I was amazed at the crowd
being able to decipher the Blood Brother’s lyrics, since they move so
quickly through each song. Once the song started and Jordan and Johnny were
screaming, the crowd joined in screaming each line with all the energy they
had left in them.
As the
song progressed, Votolato (also of Waxwing) impressed the entire venue with
his excellent guitar playing and his talented maneuvers around the small
wooden stage. Gajadhar complimented each scream and strum of the guitar with
his extremely talented drumming. Not only was he on the beat, each time he
added in a few extra sounds that made the show worth while.
The
Blood Brothers followed “Cecilia” with “Jennifer,” a song from their first
release. The crowd didn’t know the words but the energy never left. Blilie
then serenaded an electric snowman, and with that the crowd fell in love
with the Blood Brothers’ crazy antics.
After
many great songs and being pressed against the amp the entire time, I still
had the energy left for a few more songs. The Blood Brothers ended their
planned set with “Love Rhymes with Hideous Car Wreck.”
Once
Whitney announced the title of the song, the crowd screamed and hollered
like 12-year-old school girls. The song began, and everyone in the audience
knew the exact time to clap their hands and sing along. It’s not often you
go to a show and have every single person in the audience sing along to
every word of the last song.
Once
the chorus came along, all you could here was everyone in the entire venue
screaming “Love, love, love.” The audience was so incredibly into the music
that no one noticed the fact that everyone was moving in a seamless motion.
The entire crowd was moving together in a wave-like motion, pushing forward
to hopefully get that chance to be oh-so-close to the Blood Brothers. The
crowd looked like a room full of vigorously moving hands, each one
simultaneously moving to the beat of the song.
After
finishing the song, the Blood Brothers exited the stage for a much-needed
break. The crowd, on the other hand, was still very much energized and began
chanting “One more song.” After about two minutes the Blood Brothers came
back on stage.
The
audience screamed out song titles as if the louder they were the better
chance they had of getting to hear the song they wanted. I was lucky enough
to be in the front row, and I had about five people behind me chanting “The
Salesman, Denver Max,” (and interesting track off of “Burn Piano Island,
Burn”). After a few minutes of deliberating the Blood Brothers agreed to
play “Denver Max.”
Once Votolato
began to play, hands immediately went into the air and the crowd screamed
along with Whitney. Once the song hit its highest and loudest point the
crowd squeezed together and became one large pile of Blood Brothers fans.
Screaming every word, I couldn’t help but realize that I was actually seeing
the Blood Brothers in Lubbock of all places.
As
“Denver Max,” reached its last few lyrics “By the time we hit Mexico you'll
know little girl know little girl that Denver Max will always be the only
one. By the time we hit the ocean we’ll jump little girl, jump little girl
down to find the undersea sun,”-the crowed bathed in the intensity of the
moment. Not only had the Blood Brothers blown the audience away, they left
them in complete awe.
After
wiping the sweat from my eyes, I came to the realization that the night had
come to an end. I was in complete shock because of what I had just seen. I
was surprised by the Means Reds, calmed by The Chinese Stars, and left
amazed by The Blood Brothers.
The
Blood Brothers truly put on an amazing show and managed to work with the
tiny space that Space 1110 call a stage. This was my second time to see The
Blood Brothers, and I have to say that the second time does the trick. There
was such an intense energy bursting from the audience, it is hard to
describe.
I am
sure that night was an incredible dream and will
be
forever remembered by not only myself but the other
300
people crammed into that small venue.
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